Georgian stone and a school that shapes the roofline
Oundle grew rich enough on its 972 market charter to rebuild itself in stone from the 12th century onward, and the town that resulted is largely Georgian and limestone, with Oundle School's buildings sitting alongside the ordinary houses that make up the rest of the conservation area. A rooflight here is going onto one of those roofs, so the stone and the slate above it set the terms before the room below is even considered.
St Peter's Church carries the tallest spire in Northamptonshire, at 210 feet, and it is visible over most of the rooftops around it. The Talbot Hotel was rebuilt in stone in 1626, reputedly using stone taken from the ruins of nearby Fotheringhay Castle, and the Old Town Hall standing today dates to 1830, on the site of a 16th-century building before it. None of that is decoration. It tells you the roofs of Oundle have been rebuilt, patched into and worked on for centuries, in a material that behaves differently to a modern tiled roof, and any new glass has to work with it rather than against it.
The rooms that usually want a rooflight are the familiar ones in a town like this: an attic bedroom under a limestone or Collyweston slope, a landing with no window of its own, a bathroom tucked under the eaves, or a kitchen extension at the back where the roof is lower and often flatter. Each of those rooms has its own eye position and its own problem with the sky. What we plan for, in every one of them, is what you actually see looking up: how much sky sits inside the frame, where a bar would fall, and whether the reveal opens the glass out or narrows it down to a slot. The sightline sketch that comes with every quote draws that view from your own pillow, chair or worktop, before any stone slate is lifted.



















